02.07.22For scenes of Spider-Man facing off against Doc Ock on a freeway overpass early on in Spider-Man: No Way Home, production shot plates on an Atlanta backlot. Digital Domain then took those as a starting point, building out a huge environment, added CG vehicles and sometimes CG characters, and generally crafting an additional sense of destruction and mayhem.

Here, Digital Domain visual effects supervisor Scott Edelstein tells befores & afters how it was done, including tackling things such as speed ramps, a digital Doc Ock, and even making changes to the sequence after the first trailer was released following some fan comments.

Read the full article here: https://beforesandafters.com/2022/02/07/inside-the-vfx-of-the-freeway-battle-in-no-way-home/