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by Ashley McKay

Featured in The Hollywood Reporter The leadership change was made by Digital Domain's board of directors and key

by Ashley McKay

Featured in ProductionHUB With The Conjuring: Last Rites claiming the title of highest-grossing horror film of 2025, Digital Domain played a

by Ashley McKay

Featured in Horror Fuel If you think about it, it’s absolutely mindblowing how many scenes, characters, and visual

by Ashley McKay

Featured in Digital Media World Digital Domain’s Phil Cramer talks about spending time at home with The Fantastic

by Ashley McKay

Featured in VFX Voice Bringing the paranormal investigative stories of the Ed and Lorraine Warren full circle is

by Ashley McKay

Featured in Post Magazine New Line Cinema's new feature The Conjuring: Last Rites is set in 1986, when a pair

by Ashley McKay

Featured in VFX Voice Check out what our VFX Supervisor, Piotr Karwas, shared about new VFX technology and

by Ashley McKay

Featured in Art of VFX In early 2025, Scott Edelstein walked us through the VFX crafted by Digital Domain for Venom: Let There

by Ashley McKay

Featured in CBR Over the summer, The Fantastic Four returned to theaters with a brand new adventure in a

by Ashley McKay

Featured in Art of VFX In 2022, Jan Philip Cramer walked us through Digital Domain’s work on She-Hulk: Attorney at Law. Since